![]() The paper starts with an introduction about Shakespeare and the composing of The Tempest then, it sheds light briefly on some verse instances. The researcher applies the critical and analytical approach as a literary technique of the study. in Shakespeare's time, which was introduced in place of the rhyme, and poetic variations such as accent variation, inversion, deletion of syllables, and additional syllables. The paper is an attempt to show the formations of poetry in the play and to ascertain the dominance of verse such as blank verse. This study attempts to disclose the poetic elements of the play as proof to be called a long poem. The significance of this play, I feel, is not only being a drama but also poetic. The Tempest is one of the greatest comic plays of the English writer William Shakespeare. One of the changing factors is poetry as a branch of literature. Thence, different parts of Europe were enlivened with the movement of translation and multi travels and cultural exchange. The eighth through the eleventh centuries witnessed the glorious ages of Islamic civilization and sciences in which great portion of it was shifted t o Italy during and after the crusades. The European Renaissance started in Italy decades after translations of Islamic heritage, literature and science from Arabic into Latin then from Latin to other European languages. The last part goes back to the beginning of the European Renaissance in the twelfth century. It is supported with five troubadour poets. The second part deals with the nature of troubadours and their relation with the poetry of Muwashashah and Zajal. It sheds light on the influence of Muwashashah and Zajal on the poetry of troubadours. The study consists of three parts in which the first part represents the main part. This study is a historical-analytical attempt to demonstrate the influence and contribution of Arab Islamic Mawashahat and Zajal on the Provencal lyrical poets-the Troubadours that sprang in south of France during the eleventh century.
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